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By admin, on May 15th, 2025

Which one is the Best Camera for Recording Video – Panasonic Lumix S1 II vs. Nikon Z6 III? this the the most asked question in my DM and mailbox from the day of the announcement of the Panasonic S1 II camera. I wish I had a one-size-fits-all all answer, but there just isn’t one…
Why Panasonic S1 II better, and what about the Nikon Z6 III?
Panasonic Lumix DC-S1 II’s video capabilities “surpass” the Nikon Z6III in its broader range of video features, such as Open Gate recording (6K/30p, 5.1K/60p) and as we all know that the open gate recording is not available in the Nikon Z6 III camera., extensive monitoring tools (vectorscope, anamorphic lens support and in camera desqueez), although we all know that now Nikon has also included waveform support, timecode in their camera but some specical features that may fall under the “must have” list of a PRO cinematographer may be absent in the Z6 III. So, it actually at the end depend on users what they want from the camera and the budget boundaries are.
and let’s explore the 4 K high frame rate mode, in the 4K/120p with a smaller crop (1.17x vs. Z6III’s APS-C). However, there are some features that only the Nikon Z6 III has at this moment, the Z6III can record 6K/60p in N-Raw, which the S1II cannot, as its 6K is limited to 30fps and internal NRAW, which is about to arrive in S1 II in paid firmware update section. The S1II’s strengths lie in its creative flexibility and toolset, but the Z6III’s 6K/60p capability gives it an edge for high-frame-rate, high-resolution video.
Feature / Spec |
Panasonic Lumix DC-S1II |
Nikon Z6III |
Price |
$3197 – B&H Store |
$2096 – B&H Store |
6K Recording |
6K/30p (Open Gate), 5.9K/60p (16:9), 5.1K/60p (Open Gate) |
6K/60p (N-Raw) |
High-Frame-Rate Video |
4K/120p with 1.17x crop |
4K/120p with APS-C crop (~1.5x) |
Rolling Shutter Performance |
~12.8ms |
~9.4ms (better for fast motion) |
Recording Formats |
ProRes, ProRes RAW, internal 10-bit |
N-Raw, ProRes RAW (via external) |
Internal fan |
Yes |
No |
Monitoring Tools |
Vectorscope, waveform, anamorphic desqueeze, LUTs, timecode |
Waveform and timecode available
(No vectorscope or anamorphic tools) |
Audio Features |
24 Bit standard Audio input
32-bit float audio support with XLR |
Standard audio support
no XLR option |
Creative Flexibility |
High (Open Gate, multiple aspect ratios, pro tools) |
Moderate (focus on resolution and frame rate) |
Crop at 4K/120p |
1.17x |
APS-C crop (~1.5x) |
Overall Advantage |
Better for filmmakers, flexible workflows |
Superior for 6K/60p high-res, high-speed video |
When buying a camera for filmmaking or wedding cinematography, here’s an oversimplified way to look at it:
See, we have three major factors supporting the Panasonic S1 II camera, and here they are: Open Gate modes, advanced monitoring tools, and a less severe crop at 4K/120p, which provide creative flexibility for PRO filmmakers. However, I don’t overlook the Z6III’s ability to record 6K/60p in N-Raw, a significant advantage for users needing high-resolution, high-frame-rate video without cropping. The S1II’s 6K is capped at 30fps, and while it offers 5.9K/60p and 5.1K/60p, these don’t directly match the Z6III’s 6K/60p capability. The Z6III’s edge in 6K/60p while noting the S1II’s strengths in other areas, ensuring accuracy and relevance.
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By admin, on May 14th, 2025

We have one more camera announcement: the Panasonic S1 IIE. The camera uses the same sensor that we have seen in the Panasonic S5 II X camera. The camera can do up to 30 fps burst shooting, which is a great thing. Of course, 1.5 seconds of pre-burst capture are also available. Of course, the 96 MP high-resolution images are also available, so all those things that we were getting in the…
Panasonic S1 IIE Press Release
- 24MP BSI CMOS sensor
- Up to 30fps e-shutter shooting with C-AF and Raw
- 1.5 seconds pre-burst capture
- 96MP high-resolution multi-shot mode
- 10-bit HEIF recording
- 6K 4:2:0 open-gate recording up to 30p
- Internal Raw recording
- 32-bit float recording via optional XLR 2 adapter
- 2.1M dot flip-out and tilting display
- 5.76M dot viewfinder
The Panasonic S1 IIE will be available starting in late June for a recommended price of $2499. Available at B&H Store
Panasonic S1 IIE Press Release
Panasonic Announces Two New Full-Frame Mirrorless Cameras – LUMIX S1II and LUMIX S1IIE – and New LUMIX S 24-60mm F2.8 Lens
Newark, N.J. (May 13, 2025) – Panasonic is pleased to announce the expansion of its renowned LUMIX S Series with the introduction of two new models, the LUMIX S1II and S1IIE. These cameras are designed to offer exceptional photographic and videographic capabilities, characterized by remarkable image quality, dynamic color representation, and significant advancements in video technology.
Meticulously crafted for professional photographers and videographers, the LUMIX S1II features a newly developed 24.1MP full-frame partially stacked CMOS image sensor and is powered by an advanced-generation Venus Engine. This synergy enables faster readout speeds and processing, supporting high frame rate recording in formats such as 4K120p and 5.8K 60p. (*1) For superior dynamic range, the Dynamic Range Boost mode delivers up to 15 stops (*2) in V-Log at frame rates below 30p. Photographers can also take advantage of high-speed continuous shooting at up to 70 frames per second (*3) with SH / SH pre-burst shooting up to 1.5 seconds allowing the capture of even the most fleeting moments.
Elevating workflow efficiency, the LUMIX S1II enhances creative flexibility and streamlines content production. The highly-acclaimed Open Gate feature now supports additional formats beyond 6K30p–including 5.1K60p–unlocking even more options for creators. An upcoming firmware update will introduce multiple frame marker displays, providing further tools for precise and flexible framing.
The LUMIX S1IIE, joins the second-generation S1 series, maintaining the celebrated design and ergonomic excellence of the S1II and S1RII, offering potential for creative exploration. It is equipped with a 24.2MP sensor inspired by the characteristics of the LUMIX S5II, ensuring exceptional image quality tailored for diverse shooting conditions. Incorporating many of the standout features from the S1II, the S1IIE positions itself as a comprehensive tool for creative projects. Notably, it introduces a new Cinemascope video format (2.4:1), available in various frame rates without cropping, up to 60p.
Panasonic anticipates the LUMIX S1IIE will become a preferred choice for those seeking upgrades in ergonomic design and refined engineering.
With the debut of the LUMIX S1II and S1IIE, Panasonic continues to empower creators within the S1 Series. Both new models are designed to support the pursuit of self-expression through elevated performance and versatility.
The LUMIX S1II and S1IIE camera will be available starting late June at valued channel partners.
LUMIX S1II Main Features
High framerate recording and wide dynamic range with a newly developed partially stacked sensor
- Adopts a newly developed 24.1MP full-frame, partially stacked CMOS image sensor
- Supports LUMIX’s first 5.1K 60p high-speed recording option, along with other high-speed formats such as 4K 120p / 5.8K 60p for enhanced performance. (*1) (*4).
- Offers LUMIX’s first 15 stops of dynamic range video recording (*2) in V-Log at frame rates below 30p. (*4)
- High-speed continuous shooting, offering up to 70 fps (*3) with the electronic shutter “SH/SH PRE” mode, and an extended continuous shooting “H+ (High Speed Plus)” mode of approximately 10 fps with a mechanical shutter, allowing you to experience post view blackout-free shooting.
LUMIX S1IIE Main Features
Exceptional image quality tailored for diverse shooting conditions
- Adopts 24.2MP sensor inspired by the performance characteristics of the LUMIX S5II
- Supports 6K 30p (3:2) open gate video recording
- Offers 14+ stops of dynamic range video recording in V-Log
- High-speed continuous shooting, offering burst shooting up to 30 fps with the electronic shutter “SH/SH PRE” mode, and an extended continuous shooting “H+ (High Speed Plus)” mode of approximately 10 fps with a mechanical shutter, allowing you to experience post view blackout-free shooting.
LUMIX S1II and S1IIE Common Features
Enhanced core performance that unlocks new creative possibilities
- Redefined real-time recognition Phase Hybrid AF with improved eye and face detection and AI-driven tracking accuracy for people.
- Addition of the new AF recognition for ‘Urban Sports’, accurately capturing dynamic movements like breakdancing, skateboarding, and parkour.
- Enhanced 8.0-stop (*5) in-body image stabilization (B.I.S.) and newly developed cropless E.I.S. video distortion correction, which stabilizes without cropping the angle of view.
- ARRI LogC3 (*6) (*7) available for the first time for S series by using DMW-SFU3A Software Upgrade Key (sold separately). (*4)
- Supports 5.8K 30p / C4K 60p Apple ProRes RAW HQ / ProRes RAW internal recording to a CFexpress Type B card.
Outstanding reliability and efficiency
- High-resolution 5.76 million-dot electronic viewfinder (EVF) and a versatile 1.84 million-dot tilt and free-angle monitor and are equipped with a sturdy shutter mechanism rated for up to 400,000 cycles.
- Operating efficiently at temperatures as low as -10 degrees Celsius.
- Dual recording media options supporting SD and CFexpress Type B cards.
- Seamless integration with accessories such as the DMW-BG2 and DMW-XLR2.
Apps and software that seamlessly support workflow
- Compatibility with Capture One, making it work seamlessly with professional studio photography’s widely used editing software.
- Compatibility with Frame.io, enabling smooth progression from shooting to editing, as well as cloud sharing and collaboration.
- Supports LUMIX Lab, simplifying the transfer, editing, and color personalization of photos and videos for seamless smartphone integration and social media sharing.
- Updated ver.1.5 supports the following feature:
- Supports LUMIX Flow, which assists with storyboard creation, on-site checks during filming, and automatic data organization after shooting to support the video production workflow.
- Updated ver.1.1 supports the following features:
- Wireless connection
- Additional assist features (Wave form monitor / Vectorscope / False color)
- Mirroring monitor function
- Capable of setting distinct parameters for photography and videography and seamlessly transfer settings from one camera to another using an SD card, thus ensuring uniform settings across diverse camera models.
By admin, on May 14th, 2025

Panasonic finally announced the Panasonic S1 II camera. The camera features 24 Mp BSI CMOS sensor that we have seen in the Nikon Z6 Mark 3, continuous speed up to 70 frames per second including RAW and 1.5 seconds of pre-burst capture which is longest among competitors, and also it includes open gate 6K video recording with full-width 5.9K and up to 4K 60p recording, 4K 120 APS-C with slight crop, and 6G-SDI over HDMI as well as they have included a built-in fan for extended recording. So these are the basic features we have with the camera.
Get Panasonic S1 II Camera from Amazon.com | B&H Store
Key specifications
- 24MP partially-stacked BSI CMOS sensor
- Up to 70fps shooting, including Raw
- 1.5 seconds pre-burst capture
- 96MP multi-shot mode with in-cam combination and motion correction
- 10-bit HLG HEIF still images
- In-body stabilization rated at up to 8.0EV of correction
- Open-gate 6K video up to 30p
- Full-width 5.9K or 4K up to 60p
- 4K/120p video with slight crop
- 6K Raw output over HDMI
- Built-in fan for extended recording
- External SSD output for video
- V-Log with 15-stops in DR Boost mode
- Arri C-Log3 paid upgrade option
- 4-channel and 32-bit float audio with XLR2 adapter
- Bluetooth timecode sync
The Panasonic S1 II will ship in June 2025 at a recommended price of $3199. That’s way too high compared to the Nikon Z6 III camera , which is available for $2096.
Panasonic S1 II Press Release
Panasonic Announces Two New Full-Frame Mirrorless Cameras – LUMIX S1II and LUMIX S1IIE – and New LUMIX S 24-60mm F2.8 Lens
Newark, N.J. (May 13, 2025) – Panasonic is pleased to announce the expansion of its renowned LUMIX S Series with the introduction of two new models, the LUMIX S1II and S1IIE. These cameras are designed to offer exceptional photographic and videographic capabilities, characterized by remarkable image quality, dynamic color representation, and significant advancements in video technology.
Meticulously crafted for professional photographers and videographers, the LUMIX S1II features a newly developed 24.1MP full-frame partially stacked CMOS image sensor and is powered by an advanced-generation Venus Engine. This synergy enables faster readout speeds and processing, supporting high frame rate recording in formats such as 4K120p and 5.8K 60p. (*1) For superior dynamic range, the Dynamic Range Boost mode delivers up to 15 stops (*2) in V-Log at frame rates below 30p. Photographers can also take advantage of high-speed continuous shooting at up to 70 frames per second (*3) with SH / SH pre-burst shooting up to 1.5 seconds allowing the capture of even the most fleeting moments.
Elevating workflow efficiency, the LUMIX S1II enhances creative flexibility and streamlines content production. The highly-acclaimed Open Gate feature now supports additional formats beyond 6K30p–including 5.1K60p–unlocking even more options for creators. An upcoming firmware update will introduce multiple frame marker displays, providing further tools for precise and flexible framing.
The LUMIX S1IIE, joins the second-generation S1 series, maintaining the celebrated design and ergonomic excellence of the S1II and S1RII, offering potential for creative exploration. It is equipped with a 24.2MP sensor inspired by the characteristics of the LUMIX S5II, ensuring exceptional image quality tailored for diverse shooting conditions. Incorporating many of the standout features from the S1II, the S1IIE positions itself as a comprehensive tool for creative projects. Notably, it introduces a new Cinemascope video format (2.4:1), available in various frame rates without cropping, up to 60p.
Panasonic anticipates the LUMIX S1IIE will become a preferred choice for those seeking upgrades in ergonomic design and refined engineering.
With the debut of the LUMIX S1II and S1IIE, Panasonic continues to empower creators within the S1 Series. Both new models are designed to support the pursuit of self-expression through elevated performance and versatility.
The LUMIX S1II and S1IIE camera will be available starting late June at valued channel partners.
LUMIX S1II Main Features
High framerate recording and wide dynamic range with a newly developed partially stacked sensor
- Adopts a newly developed 24.1MP full-frame, partially stacked CMOS image sensor
- Supports LUMIX’s first 5.1K 60p high-speed recording option, along with other high-speed formats such as 4K 120p / 5.8K 60p for enhanced performance. (*1) (*4).
- Offers LUMIX’s first 15 stops of dynamic range video recording (*2) in V-Log at frame rates below 30p. (*4)
- High-speed continuous shooting, offering up to 70 fps (*3) with the electronic shutter “SH/SH PRE” mode, and an extended continuous shooting “H+ (High Speed Plus)” mode of approximately 10 fps with a mechanical shutter, allowing you to experience post view blackout-free shooting.
LUMIX S1IIE Main Features
Exceptional image quality tailored for diverse shooting conditions
- Adopts 24.2MP sensor inspired by the performance characteristics of the LUMIX S5II
- Supports 6K 30p (3:2) open gate video recording
- Offers 14+ stops of dynamic range video recording in V-Log
- High-speed continuous shooting, offering burst shooting up to 30 fps with the electronic shutter “SH/SH PRE” mode, and an extended continuous shooting “H+ (High Speed Plus)” mode of approximately 10 fps with a mechanical shutter, allowing you to experience post view blackout-free shooting.
LUMIX S1II and S1IIE Common Features
Enhanced core performance that unlocks new creative possibilities
- Redefined real-time recognition Phase Hybrid AF with improved eye and face detection and AI-driven tracking accuracy for people.
- Addition of the new AF recognition for ‘Urban Sports’, accurately capturing dynamic movements like breakdancing, skateboarding, and parkour.
- Enhanced 8.0-stop (*5) in-body image stabilization (B.I.S.) and newly developed cropless E.I.S. video distortion correction, which stabilizes without cropping the angle of view.
- ARRI LogC3 (*6) (*7) available for the first time for S series by using DMW-SFU3A Software Upgrade Key (sold separately). (*4)
- Supports 5.8K 30p / C4K 60p Apple ProRes RAW HQ / ProRes RAW internal recording to a CFexpress Type B card.
Outstanding reliability and efficiency
- High-resolution 5.76 million-dot electronic viewfinder (EVF) and a versatile 1.84 million-dot tilt and free-angle monitor and are equipped with a sturdy shutter mechanism rated for up to 400,000 cycles.
- Operating efficiently at temperatures as low as -10 degrees Celsius.
- Dual recording media options supporting SD and CFexpress Type B cards.
- Seamless integration with accessories such as the DMW-BG2 and DMW-XLR2.
Apps and software that seamlessly support workflow
- Compatibility with Capture One, making it work seamlessly with professional studio photography’s widely used editing software.
- Compatibility with Frame.io, enabling smooth progression from shooting to editing, as well as cloud sharing and collaboration.
- Supports LUMIX Lab, simplifying the transfer, editing, and color personalization of photos and videos for seamless smartphone integration and social media sharing.
- Updated ver.1.5 supports the following feature:
- Supports LUMIX Flow, which assists with storyboard creation, on-site checks during filming, and automatic data organization after shooting to support the video production workflow.
- Updated ver.1.1 supports the following features:
- Wireless connection
- Additional assist features (Wave form monitor / Vectorscope / False color)
- Mirroring monitor function
- Capable of setting distinct parameters for photography and videography and seamlessly transfer settings from one camera to another using an SD card, thus ensuring uniform settings across diverse camera models.
By admin, on May 13th, 2025

The Panasonic S1 II camera arrives with the same 24 MP partially stacked CMOS sensor we have seen in the Nikon Z6 III camera. The Panasonic S1 II full specification is now available. Let’s have a detailed look at the core specification
LUMIX S1 II Specifications
Image Sensor
- Type: 35mm CMOS
- Effective Pixels: 24.1MP
- Dynamic Range: 15 stops (V-Log DR Boost), 14+ stops (V-Log)
- Dust Removal: Sensor-shift with AR coating
- Image Stabilization: 5-axis (8 stops central, 7 stops peripheral, Dual I.S. 2)
- ISO: Normal (100-51200), V-Log (640-51200), DR Boost (On/Off), Dual Native ISO (Auto/Low/High)
Storage
- Slot 1: CFexpress Type B
- Slot 2: SD UHS-II
Autofocus
- Type: Phase Detection + Contrast
- Focus Points: 779 (Phase) / 315 (Contrast)
- Brightness Range: -6 to 18EV
- Object Detection: People, Animals, Cars, Motorcycles, Trains, Airplanes
Shutter
- Mechanical: 60s – 1/8000s
- Electronic Front Curtain: 60s – 1/2000s
- Electronic: 60s – 1/16000s
- Flash Sync: 1/250s
Continuous Shooting
- Mechanical: Up to 10fps (H+, AFC)
- Electronic: Up to 30fps (SH, AFC), 10fps (H+, AFC)
- Burst Capacity: 200+ RAW (Mechanical), 180 RAW (SH)
Viewfinder
- Type: OLED
- Resolution: 5.76M dots
- Frame Rate: 60/120fps
Monitor
- Size: 3.0″ Free-Angle
- Resolution: 1.84M dots
Video
- Frame Rates:
- 6K 59.94p (LGOP)
- 4K 119.88p (LGOP), 59.94p (ALL-I/ProRes)
- 5.8K 29.97p (ProRes)
- Output: MOV (H.264/H.265/ProRes/ProRes RAW), MP4 (H.264/H.265)
- Log: V-Log, ARRI LogC3 (with DMW-SFU3A)
- Audio: LPCM (24-bit), 32-bit float (XLR2)
Connectivity
- USB: USB-C (10Gbps), 4K 29.97p Streaming
- HDMI: Type A
- Audio Ports: 3.5mm Mic, 3.5mm Headphone
- Wireless: Wi-Fi (5/2.4GHz), Bluetooth 5.0, FHD 59.94p Streaming
- Other: 2.5mm Remote
Battery
- Type: 7.2V, 2200mAh
- Shots: 348 (CFexpress, LVF), 359 (SD, LVF)
- Battery Grip: DMW-BG2 (sold separately)
Physical
- Dimensions: 134.3 x 102.3 x 91.8mm
- Weight: 718g (body), 800g (with battery)
- Build: Dust and water resistant
Panasonic S1 IIE specification here
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Source Webio E8M
By admin, on May 12th, 2025

We have already published the leaked images of the Panasonic S1E II; now, it’s time for the full specifications.
Panasoinic LUMIX S1IIE (Official Text)
Elevate your storytelling with the new CinemaScope 4K 60p aspect ratio, delivering a cinematic view without any cropping. With the intuitive operation of the S1 series, including the LUMIX S1RII and S1II, the S1IIE enhances creative exploration with ease. Both models feature advanced AF precision and new ‘Urban Sports’ recognition, and 8.0-stop in-body stabilization for steady shooting.
Panasonic LUMIX S1E II Specification
Main Features
- Adopts a 24.2MP sensor that inherits the performance characteristics of the LUMIX SSII
- Realizing high image quality in a variety of shooting condition
- Supports 6K 30p (3:2) open gate video recording
- V-Log allows video recording with a dynamic range of over 14 stops
- Experience blackout-free shooting with the electronic shutter mode “SH/SH PRE” for high-speed continuous shooting at up to 30 frames per second and the extended continuous shooting mode “H+” at approximately 10 frames per second using a mechanical shutter
- 14+ stops of dynamic range V-LOG
- Full frame 6K30p OG, 6K60p 2.4:1, 4K30p 16:9/17:9, 4K60p 2.4:1
- APS-C 3.3K 50p 4:3, 4K60p 16:9/17:9
- S&Q 4K 2.4:1 60fps, FHD 180fps
- 120Hz 5.76 million dot EVF
- 779 points Phase AF
- Dual Native ISO 100/640 5-
- Axis image stabilization 8 stops at center, 7 stops at periphery
- 1/8000s mechanical shutter
- 30fps continuous shooting with electronic shutter, 10fps mechanical shutter
Second-generation S1 series, the LUMIX S1IIE maintains the acclaimed design and ergonomic excellence of the S1II and S1RII, offering potential for creative exploration. It is equipped with a 24.2MP sensor inspired by the characteristics of the LUMIX S5II, ensuring exceptional image quality tailored to various shooting conditions. It incorporates notable features from the S1II, positioning itself as a comprehensive tool for creative projects. Notably, the LUMIX S1IIE introduces a new Cinemascope (2.4:1) video format available in various frame rates, including uncropped 60p. Panasonic anticipates that the LUMIX S1IIE will be the preferred choice for those seeking improvements in ergonomic design and refined engineering.
LUMIX S1IIE
- Cinemascope 4K60p aspect ratio
– Delivers a cinematic view without cropping for improved storytelling
- The S1 series’ intuitive operability makes creative exploration
easy
- Advanced AF precision and new “Urban Sports” recognition
- Equipped with 8.0-stop in-body image stabilization
- Award-winning design and ergonomics on the S1II and S1RII
- Equipped with a 24.2MP sensor inspired by the features of the LUMIX S5II
- Equipped with the outstanding features of the S1II, it is a comprehensive tool for creativity
- Introduces new Cinemascope (2.4:1) video format available in a variety of frame rates including non-cropped 60p
Improved core performance to unlock new creative possibilities
- Real-time recognition redefined:
On-chip phase detection AF improves eye and face detection, and enhances AI-enabled people tracking accuracy.
- Equipped with new AF recognition for “urban sports” –
accurately captures dynamic movements such as breakdancing, skateboarding, and parkour
- 8.0-stop in-body image stabilization (BIS)
- Newly developed No-Crop EIS video distortion correction has been improved
- By using the separately sold software update key DMW-SFU3A, ARRI LogC3 will become available for the first time on the S Series.
- Supports internal recording of 5.8K 30p / C4K 60p Apple ProRes RAW HQ / ProRes RAW to CFexpress Type B cards.
The image sensor appears the same as the S5II’s 24MP CMOS. There may not be any major improvements in image quality or rolling shutter performance, but CFexpress (high bitrate internal recording), improved AF, image stabilization, and video functions are likely to be its strengths.
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Source Webio E8M
By admin, on May 10th, 2025

Sony FX3A or Sony FX3 – which one is the best camera for you? It’s better for you, we know that Sony has done a kind of a minor refresh in the ultra-popular Sony FX3 — a compact full-frame cinema camera for solo cinematographers. Now, in this article, we are just exploring this update.
Sony FX3A – what changed inside this camera?
1.Enhanced LCD resolution:
The new FX3A features a 2.35 million-dot, 3-inch LCD screen on the rear side of the camera, which is a kind of good jump from the 1.4 million-dot display. It is now more sharp and has better brightness for outdoor use.
2.Removed features:
Sony dropped out the NFC functionality as well as the infrared remote control feature from the new generation of FX3A camera. That means now we have no quick wireless pairing via NFC, although we do have the usual method of connectivity via Wi-Fi/Bluetooth, which may frustrate some users with legacy workflows.
Take a look at the quick comparison table between the two that shows the major differences between the FX3A and the FX3.
Sony FX3a vs Sony FX3: Side-by-Side Comparison
Feature |
Sony FX3 |
Sony FX3a |
LCD Resolution |
1,440,000 dots |
2,359,296 dots |
NFC Functionality |
Yes |
No |
Infrared Remote |
Yes |
No |
Sensor |
12.1MP Full-Frame Exmor R CMOS |
12.1MP Full-Frame Exmor R CMOS |
Video |
4K 120fps, 10-bit 4:2:2, 16-bit RAW |
4K 120fps, 10-bit 4:2:2, 16-bit RAW |
Dynamic Range |
15+ stops |
15+ stops |
ISO Range |
80-409,600 (expanded) |
80-409,600 (expanded) |
Price (Approx.) |
~$3,898 (discontinued, discounted) |
~$3,898 (B&H listing) |
Why did Sony release the FX3A?
See, there was no option — the supplier’s stock of the existing LCD display screen has been discontinued by the display makers. So, they had to introduce the new display. But that’s really surprising — why did they drop the NFC and the infrared controller from the camera? Maybe to cut down the production line cost — who knows!
Should you buy the FX3A camera?
If you already own a Sony FX3 camera, then there is no need to invest in the FX3A. It doesn’t arrive with any significant upgrade over the FX3, and even the price is exactly the same. And believe me, more or less, you are losing the infrared and NFC connectivity, so better to stick with your FX3 camera.
For new buyers, let’s discuss — should you buy FX3?
The Sony FX3 is actually phasing out, since Sony does not have the old display screen anymore. And the new bodies also lose the infrared as well as the NFC port.
But you have to make a very smart choice, since there is a fact we should consider — the new model gets regular firmware support from the camera maker, and generally they care a bit less about the older ones. So, if you actually have a requirement of having a remote control or NFC connectivity, then you should go with the older model as soon as possible. Otherwise, getting the FX3A would be the best decision.
When will the Sony FX3 Mark II arrive?
Check out the latest Sony FX3 Mark II rumours for more information.
Sony FX3 at Amazon.com | B&H Store —- | Sony FX3a at B&H Store
The article “Sony FX3a vs. Sony FX3 – which one is the best camera for you?” was published at 4:47 pm, Saturday, 10 May 2025, Greenwich Mean Time (GMT). By thenewcamera.com Team. You can follow us on our social pages FACEBOOK | TWITTER | INSTAGRAM, –>If you have time –>see more Sony Alpha Rumor Latest Camera News
By admin, on May 10th, 2025

Nikon mirrorless cameras are stealing the spotlight in 2025 financial report, then I can’t get Z50 II and the Nikon Z6 III according to Nikon Imaging Business 5.6% increase in the revenue that will reach 295,363 million yen for the fiscal year ending March 2025, but what makes these two mirrorless cameras so popular among the Nikon users, let’s explore some facts
In the Imaging Products Business, the Group recorded a year-on-year increase in revenue due to an increase in the number of interchangeable lenses and mirrorless cameras sold, mainly Z50II APS-C size mirrorless camera, Z6III fullframe mirrorless camera, and other new products, as well as the positive effects of the yen depreciation. The Group, however, recorded a year-on-year decrease in profit due to the operating loss of RED, which was affected by the sluggish cinema industry, and the recognition of one-time costs such as impairment losses on non-current assets at Mark Roberts Motion Control Limited. As a result, this business segment recorded revenue of 295,363 million yen (up 5.6% year on year) and operating profit of 41,306 million yen (down 11.3% year on year).

Why the Nikon Z50 II and Nikon Z6 III are winning
The Nikon Z50 II is very much popular among beginner wedding photographers, hybrid shooters, and even content creators, and the Z6 II is popular among professionals. Nikon Z50 II and the Nikon Z6 III have more than just cameras, they are the actual proof of Nikon’s mirrorless momentum in 2025. Now Nikon is doubling down on the mirrorless plan and potentially leading to new lenses, accessories, and even planning higher-end models like Z9 Mark II, as well as they’re also planning to refresh the Nikon Z30 with Nikon Z30 Mark II as per the latest set of rumours.
The Nikon Z50 II is a compact powerhouse camera
Nikon Z50 II Comparison
Nikon Z50 II vs Sony ZV-E10 II
Nikon Z50 II vs Sony A6700
Nikon Z50 II vs Canon R10
Best Lenses of Nikon Z50 II
Best Lenses for Nikon Z50 II
Nikon Z50 II Latest Firmware Update
Nikon Z50 II Firmware 1.01 Download – Pre-Release Capture Now with SmallRig SR-RG2 Grip
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